Tuesday, July 1, 2014

Yes -- "Heaven & Earth" Reviewed. "Is it the end of Yes?

Yes, like the London Symphony Orchestra, is an institution with a revolving line-up.  Nevertheless, some members, notably Jon Anderson, have made such an indelible impression that is hard to think of Yes as existing without him.   No matter the strengths of “Fly From Here,” or “Drama” for that matter, the absence of Anderson hovers over any project involving the remaining elements of Yes.  Put simply, his voice, lyrical approach, and artistic vision elevated Yes’ best music to a level no other configuration of the band has come close to matching.

“Heaven & Earth” is the second album in row from the band going by the name of “Yes,” which doesn’t feature the inimitable Anderson.   Squire & company’s decision to head in a decidedly popish direction isn’t likely to endear the album with a certain segment of die-hard fans, who understandably long for something grand, ambitious, and genuinely aesthetic.  Nevertheless, “Heaven & Earth” is an album suffused with the signature Yes sound, many inspiring moments, and some outstanding instrumental passages.  True, some of the tunes have a simplistic sing-song quality, but I find the music consistently veers off in interesting directions.  “In a World of Our Own” is Beatleseque, Howe’s upbeat “It Was All We Know” seems reminiscent of the band America, and the intro to “Subway Walls” has a faux-classical sound one might expect from ELO.  This is music that feels familiar, not challenging, but the music often defies expectations too.
“Subway Walls” is probably the most progressive track on the album.  The tune features a slowly-smoldering keyboard solo from Geoff, which leads into a haunting guitar passage from Howe.   The pace seems deliberately low-key, compared to previous Yes outbursts.  But it is effective nevertheless.  The same can be said for the album as a whole.  “Heaven & Earth” is pop sprinkled with progressive touches.  Yes-light, perhaps, but “Heaven & Earth” is hardly the end of the world – or Yes, for that matter – that some musical prophets have proclaimed.

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